Wanting to learn more about the past of the Sava River, Nikolina Butorac led workshops in two nursing homes in Trešnjevka, asking the protégés to associatively draw a positive memory for her; the smell of the river, the water that called for bathing, the plants that grew near it. She composes the resulting works into new collages, which follow the photographs of Gail Hocking’s artistic interventions in the empty riverbeds of South Australia, reminding us of the great droughts, shortages of drinking water and fires that have become more prevalent in recent years. Part of the work are artifacts, created by a symbiosis of natural and artificial, taken from several different places that the artists addressed important for their research. At the opening, Nikolina Butorac handed out blank papers to the audience, asking them to draw or write a new work that would protect the river and raise awareness of the importance of water, and hung their drawings among other works.